Thursday, August 29, 2024

Travelogue 1142 – 29 August
Long Time Ago

Charlemagne, or “Charles the Great”, was only the second king in his line. His father had had himself declared King of the Franks a few years after Charles was born. But his family had been running at least one of the Frankish kingdoms for more than three generations already, acting as majordomo to the Merovingian kings who had ruled for two and a half centuries.

It’s helpful to remind myself of the spans of time occupied by the early Middle Ages. They easily telescope from our vantage because there is so little surviving detail. Two and a half centuries is the amount of time the American Republic has survived so far.

It doesn’t seem possible to say when the Merovingian line was established. They were the kings of one small contingent of Franks, the Salian Franks, living some happy place like Brabant when Roman rule collapsed. It’s likely that Merovech, the source of the name ‘Merovingian’ allied himself with the last Roman general trying to maintain order. He wouldn’t even have been the first of his line, just the first with a profile in history.

It was Clovis, probably the grandson of Merovech, who created what would become France, taking advantage of the vacuum left by the Romans, fighting his way to the top of the Frankish heap, uniting all Franks into one kingdom that begins to be recognizable to moderns familiar with the map of Europe. He converted to Christianity and converted the kingdom. His name, Clovis, was an early form of Louis. So many patterns for French history were set so early, almost three hundred years before Charlemagne became Emperor. Again, that’s a chunk of time that would swallow up U.S. history whole, Washington to Biden. Fun fact: it's likely the language Clovis spoke was much closer to modern Dutch than to modern French.

Monday, August 19, 2024

Travelogue 1141 – 19 August
Lubber


The waves were high during our last visit to the beach. The girls waded in intrepidly. They needed no warm-up time; they were immediately splashing and diving and soaked with sea water. Joy was completely at the helm on their beach day. Their father, on the other hand, required a long time to enter the water. Past the knees, every centimetre was hard-won. Cold water translated into pain. There was no mediating sensation, like “refreshing” or “bracing”. No, it just hurt. All the way up the back and shoulders. But the water was relatively warm, and it was too windy to hang out on the beach, anyway. The blowing sands stung my legs.

Eventually, I was all the way in, out past where the girls could go, in the roar-and-silence of deeper waters. This is a nice meditative moment I get to experience a few times a year, bobbing among the waves in summer, just long enough that the family doesn’t miss me.

Strangely, it’s the troubled seas that draw me out. I am pulled by the bobbing motion, overcoming my fear of the sharp cold. I drift out beyond the feel of sand underneath my feet, and I watch the waves and the ships on the horizon. I look up at the clouds. I glance at the shore, and at the long pier half a kilometre off my shoulder. It’s comforting.

In the lobby of the Maritime Museum in Rotterdam, a video loops on a big screen, films recorded on ships in the high seas during storms. We watch the waves crashing on the decks. The camera’s perspective drifts away from the ship, and out into the raw motion of the waves, huge, threatening, violent. The waves rise, they loom, white ribs of foam forming in the rushing wall of water. There is no stable POV, as the camera tilts with the motion of the sea. It is dizzying and frightening.

I live by the North Sea. I swim in the North Sea. But it’s a stranger. It has a reputation as a stormy sea, temperamental and dangerous. But I haven’t fathomed it. Finally, I’m just a landlubber, try as I have to always live by the sea. As fascinated as I am, I have never had the opportunity to see through the eyes of a seafarer. All those generations the Dutch plied the seas, thousands of people living out much of the lives on water, and the rest of us have so little idea what it felt like.

Tuesday, August 13, 2024

Travelogue 1140 – 13 August
The Philosophy of Binnenste Buiten


Last night we took the girls to see “Inside Out 2”. We all know the story: the emotions are made into personalities who man the control panel behind the eyes. The idea sounds miserable, but it is masterfully executed. It’s touching and funny. The girls loved it.

Little Ren had been begging to see it. I’m not sure how it got lodged into her mind, but she would not let it go. We happened to find ourselves standing outside a theatre after a visit to the beach. Mama and I checked with each other, and we shrugged, why not? Once I had understood the themes being developed in the film, that puberty had entered the control room in the sequel, I worried that we had made a bad call. I watched Baby Jos in particular, the older girl of the two. But she seemed to simply have fun with the story.

I myself was challenged by the film. It doesn’t take much to excite my imagination. I’m on old sentimentalist. The film created a bigger stage set than the control room of the mind. It painted an internal landscape for the emotions. In the story, the childhood emotions were exiled, and they had to fight their way back to HQ through a terrain bubbling with ideas and memories and moods. The mental earth trembled with the violent changes of adolescence. All that was amusing, but it made me reflect again on the complexity of the human organism.

Being someone on the other side of the lifetime equation, closer to the end than the beginning, I wonder at human complexity in a different way than a child or young adult might. I remember the inspiration I felt when I was young, discovering the vast terrain both inside and outside myself. When I was young, I was confident I could solve all the mysteries out there. Now the scale of things raises questions; like, what was all that about? Such a grand project is the human being, it must mean something more than what I happened to notice along the way. Now, the mysteries have moved from the ethers into my house. They’re arranged on my desk. They tease like ink blots that mean something different every day.

Monday, August 12, 2024

Travelogue 1139 – 12 August
The Olympics


It is hard to believe we watched the entire women’s marathon from start to finish. The coverage was that good, and Paris was that enjoyable a background. We did lose the girls in spells, lost them to their games. The games they played were often spinoffs on the sport motif of the past few weeks. But they always came back, rooting for the Ethiopians and rooting for the Dutch.

The Dutch woman won, edging out the last Ethiopian competitor. Literally. She elbowed Assefa out of the way with one or two hundred metres to the finish line. It was an exciting race.

We had watched Sifan win her bronze in the five-thousand. We had watched her win her bronze in the ten-thousand. She has been amazingly strong.

We have watched a lot of the Olympics, mostly gymnastics and track and field. And we did have to watch the women’s final in hockey. The Netherlands won, and we cheered.

It is just the right moment. The girls are old enough to be involved in sports now; they are innocent enough to simply enjoy the show. I have found all of it very enjoyable. I know how cynically some people approach the spectacle and the hype. Their visceral reaction to it looks like fear. I can understand: if everyone is a type of athlete, I am a marathoner. I am an introvert. The noise can be overwhelming.

When Sifan runs the marathon, she finds her own space. She has a faraway look. She talks to herself after she crosses the finish line. She looks to stifle a yawn during an awards ceremony. She pointedly says, “I don’t care” when a commentator asked her how she feels when a co-medallist is threatened with disqualification.

There is something wonderful about sport, wonderfully human. No matter how people try to politicize it, monetize it, psychoanalyse it, or make philosophy of it, something essential slips away. It defies both the impulse to glorify and the impulse to dismiss it.