Travelogue 372 – November 26
Palmer's and the Future of the Republic
I'm back at Palmer's. One never strays too far from Palmer's, once one has been to Palmer's. Palmer's is the quintessential dive bar. It stands -- or leans, more properly speaking -- on Cedar Avenue in the West Bank neighborhood of Minneapolis, a scrappy wedge of blocks abutting the university on one side, and the knot of highways I've mentioned in previous blogs, the spaghetti buffet of asphalt that chops up this side of the city. It's rather a seedy district, only flattered by the adjective 'ugly', somewhat more insulted by 'charming'.
There's a band crammed onto the high stage in the tiny nook fit into the prow of this oddly shaped building. The building has no definable shape. The angled walls that I'm describing as the 'prow' never quite meet in a point. There is a blunt wall on the outside, adorned with the locally famous wooden relief of a tall and attenuated gentleman in a derby leaning against an invisible bar. In the back of this building is a mosque.
The band is the Liquor Pigs. Craig and I catch a show or two of theirs every year -- for the last ten years or so. They used to play at the Vike, a West Bank bar now closed, a place with even a worse a reputation than Palmer's. The Liquor Pigs are a quartet of over-skilled, middle-aged musicians who swing whimsically through long sets of country and folk, with touches of bluegrass. Especially fun is the fiddle man stomping his foot and sawing through dizzy solos.
Look around Palmer's; peer through the dim light of it. Make an inventory of the faces. This place is the picture of American diversity. 'Diversity': the latest word to be eviscerated by rhetoricians.
Someone is shouting for their check. The old black gentleman in a beret replies that he's Russian, and actually gets a laugh. Among the crowded tables, Eritreans argue with Ethiopians, old drunks trade jokes with young drunks, each so padded with dirty winter gear that race is lost, and a pretty Hindu boy strums his guitar while he teases his blonde girlfriend. All of us are listening to old-time country. Civility reigns.
Why is it so easy in Palmer's, while right there on the tiny color screen suspended in the corner, our mixed-race president struggles awkwardly with his words and with his nation? You can almost see the slings and arrows of outrageous fortune surrounding him, the poison darts spit at him by right-wingers, left-wingers, wing-tippers, ultra-right-wingers, wing-nuts, tea-baggers, and neo-hate-wingers. The failure of Mr. Obama, to my mind, is the last chapter in a sad story, the painfully slow sinking of the ship we call American political discourse into the sea of babbling irrelevance. The rest of us wait on shore, expecting a very important message. But in fact, we will have to carry on without them somehow, nodding sadly as Ms. Palin shrieks that we must stand by our North Korean allies, and turning away, going back to work in our various retail outlets.
I'm reading 'Idiot America', by Charles P. Pierce, a light-hearted polemic about this very capsizing of intelligence and leadership in America. It's a fun read, but it does little beyond confirming the obvious. When we can't admit that not everyone's judgement is equal; when democracy becomes reality TV; when emotional stimulation trumps sober (and boring) thought; when shouting and insults are simply more fun than civility; when philosophy and religion are products, validated by marketing numbers; when values are fashions; then republics founder. That's it.
Turn away from the turbulent seas. Take a seat at Palmer's. Enjoy the show that is governed by reason. Some music still requires skill. Practice human virtues. Remind yourself how easy it is to get along with people. History is built of such things.