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Travelogue 302 – October 31
Tricks
I have a headache today. The day is partly cloudy and chilly. 'Partly cloudy' is enough to make one sing: October has been incredibly gloomy. It makes a person without a headache want to sing. A man with a headache takes a break from grading papers to try a coffee cure.
This is a headache of storms. Or is it a headache of arts? Last night I went to a film. The verdict was, great cast, skimpy story. It's 1961. An English teenager, unusually bright, is seduced by a romantic older man who takes her to Paris. Yes, that's about it. The actors give unlikely life to this scarecrow plot, so it is a pleasure to watch, but I can't help wanting more. My friend Rosanne (real name protected in deep code) disagrees. We have to discuss this over drinks.
Outside, the rain has returned. In the light from a street lamp, the shower is driven sideways by a strong wind. I'm on my bicycle tonight. I order another drink, hoping to wait out the shower. This is Uptown on a Friday night: the bar is getting crowded. They're a young set, and fashionable. Tonight fashion is diverted into costumes. Ladies in tin-foiled boxes are dancing. A clown in a boa is laughing too loudly. The bartender has a carnival strongman beard and wears red devil's horns.
Roseanne and I eventually reach a compromise on how to fix the film. She resists giving the seducer any more scenes. But we agree that the teenager needs to present a more compelling case for going back to school. I'm a teacher, and the character has me convinced by the movie's midway point that college is a waste of time. So finding out your lover is a schmuck doesn't lead me to think, 'time for a degree in English literature.'
Sheets of water glow in the street lamp's halo, shifting in waves near a horizontal plane, waves suggesting bedsheets in a gale. The sheets have to sparkle, like shards of water flying through light. Then those bedsheets will look just like rain in a street lamp. The party is gaining the momentum of a storm. By and large, these are university kids, and they have me no more convinced in the efficacy of higher education than the sullen maiden in the British film. Neither the storm inside nor the storm outside will slacken soon. I dress for the ride.
I've ridden only a block when a van darts from the curb into the road and right into the side of a passing taxi. It's so sudden and pointless, it could be comic. But the crunch of impact is drowned in the weather, and the event is dwarfed by a wet, black night. Another few seconds and I would have been sandwiched between the two. I pass by silently. A stunned college boy emerges from the offending vehicle. His van is full of stunned college students. He is directing his vacant stare toward the bashed-in side of the taxi.
The rain has turned into a wet snow, and that adds a random, swirling element to the motion of the bedsheets. The bedsheets are unraveling. By the fourth block or so, I'm soaked. The stream off my back tire has coated my backside with muddy grit. It's a cold sensation. I resign to it. The storm and the night merge and deepen. There is space and dimension, where earlier – before I got on my bike – there were only two dimensions of bad weather, a black and white pixillated screen. Now there is movement and stillness together, silence and muffled city sounds. I cross the river, suspended in the dense autumnal atmosphere over the water. There's no urgency; the season is generous.
The coffee cure isn't working today. Outside the streets are dry. I can cycle home among mild breezes and nurse my headache. I won't have to throw my drenched clothes into the bath tub. I'll be asleep before tonight's wild revelry gets going in my neighborhood: college kids being brilliant.