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Travelogue 259, January 26
One Piece at a Time, Part Three
I have a cold. I’m riding the bus downtown. The rarified atmosphere of slight fevers and sniffles awakens a sentiment in me like nostalgia. It’s been so many years since I’ve enjoyed the peculiar combination of deep winter and mass transit. The head cold makes it all shine with reflected contentment. ‘Such nice people!’
There’s a moment in deadest winter, in late January, after the bare bough of temperatures has swung slowly among chill breezes and white skies, below zero and back up to twenty, below zero and above, when the still soul of the winter citizen surrenders. I walk up the sidewalk, clotted with hard snow and old ice, crunchy with salt, and I look for the sun, hanging low over the apartment blocks already at four. I breathe the crisp air deeply into my lungs. It feels so clean. Above is the wan and distressed blue of space, and I feel the power of the cold. It could void the atmosphere and carry us all away. And like Jehovah or Winston Smith I declare it good. That breath of refrigerated air connects me to moments spanning many winters, all before I ever went to Ethiopia. I love it.
Or so it seems in the sentiment of my cold, and the sentiment of the moment. At any given time, one is suspended in a value that seems absolute, even as it’s changing. Winter is peaking, and soon it will break. The winter citizen’s resolve breaks with the first thaw. So, what’s reality then, the sentiment or the facts? Which is the real life you’ve led, the nostalgic one or something objective?
A black woman on the bus has bought a sketch of Obama today, and it lies in her lap. Just about every person sitting nearby has to comment on the portrait. ‘Is that Obama?’ She doesn’t mind conversing. She tells about the artist, who was at the Inauguration. She talks about Obama. ‘I have four sons. For the first time, I feel like things will be all right for them. There’s been so much negativity.’ That statement is heart-warming.
Then somehow the discussion turns to O.J. ‘Nobody talking about Nicole, about all her boyfriends. If she been black, nobody of cared. It’s like Michael Jackson. We grew up with him! We know he didn’t do that.’ An Asian guy takes a seat. ‘You heard about the Obama clone?’ There’s a look-alike from Indonesia doing the rounds of talk shows. ‘Could be his brother!’
What will history say? That Obama had a look-alike in Indonesia? That he vindicated O.J. and Michael? If these represent the hopes and dreams of a nation, who am I to protest?
They say that one heyday of the jigsaw puzzle was the era of the Depression. Cardboard puzzles were cheap, and they could be swapped with other families. It was a fun activity that absorbed time in the evenings, and it was something to entertain everyone in the home. It was educational for the kids. Make a picture; make the world whole again.
In the 60s, during times of prosperity, the lords of puzzles came up with the hardest one ever: a thousand-piece jigsaw of Jackson Pollock’s painting ‘Convergence’. What makes it difficult is the high degree of abstraction, the colors twisting round upon themselves, the chaos of paint.
Bob, our puzzle master, tries his hand at the Convergence puzzle. He turns over the piece, enjoying the bright colors. He tries to match it in a dozen, a couple dozen places. The next day, there’s another piece. It’s a labor of months, but he does finish. When it’s done, Bob stares at the completed piece for long stretches. He returns to it for several days and stares at it, but he never once brandishes the fist. He can make out nothing there to break up. Instead, he takes it apart one evening, piece by piece, and puts in back in the box.